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On Fri, 09 Oct 2009 11:55:03 -0400, Gene
wrote: On Fri, 09 Oct 2009 11:37:13 -0400, H the K wrote: On 10/9/09 11:28 AM, Gene wrote: On Fri, 9 Oct 2009 07:33:33 -0700 (PDT), wrote: And we discussed many other things in English Lit than just English Lit Well, then, what you had was some sort of Socratic Dialog or Seminar, not an organized class. A proper class has an approved syllabus and the instructor sticks with that syllabus to make sure the course objectives are met. A class entitled one thing in which all things are taught is just a free-for-all.... usually driven by the personal whims and interests of the teacher. This is the equivalent of education by ADD........ Uh, I disagree. In the 7th and 8th grade, when we were discussing Dickens in English class, we also discussed the society in which the novels were set, and some of the reasons why Dickens chose the subjects he did. I'm sure we stuck with the teaching plan by doing so. Uh.... no, we don't disagree and the teaching plan likely included the social conditions of the novel. As I posted earlier: "The study of Literature should or could encompass the following points: 1. The body of written works of a language, period, or culture. 2. ........" thus, "the society" is fair game. Reading NON-English Literature in English Lit is NOT fair game and, certainly, "And we discussed many other things in English Lit than just English Lit" is just hosed. Put another way..... in FRENCH Lit..... it would be perfectly reasonable to study Les Miserables, which "examines the nature of law and grace, and expounds upon the history of France, architecture of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love." It would be fair to, then, discuss any of those other topics, including religion in the context of Les Miserables. It would NOT be reasonable to study Beowulf, The Bible, or the Zuo Zhuan as French Literature..... because they just aren't. One would have to wonder if Dryden's translations would not merit study in an English Lit class. Literary translation cannot be weighed as having literary value for the recipient language? -- Posted via NewsDemon.com - Premium Uncensored Newsgroup Service -------http://www.NewsDemon.com------ Unlimited Access, Anonymous Accounts, Uncensored Broadband Access |
#2
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On Fri, 09 Oct 2009 11:55:03 -0400, Gene
wrote: On Fri, 09 Oct 2009 11:37:13 -0400, H the K wrote: On 10/9/09 11:28 AM, Gene wrote: On Fri, 9 Oct 2009 07:33:33 -0700 (PDT), wrote: And we discussed many other things in English Lit than just English Lit Well, then, what you had was some sort of Socratic Dialog or Seminar, not an organized class. A proper class has an approved syllabus and the instructor sticks with that syllabus to make sure the course objectives are met. A class entitled one thing in which all things are taught is just a free-for-all.... usually driven by the personal whims and interests of the teacher. This is the equivalent of education by ADD........ Uh, I disagree. In the 7th and 8th grade, when we were discussing Dickens in English class, we also discussed the society in which the novels were set, and some of the reasons why Dickens chose the subjects he did. I'm sure we stuck with the teaching plan by doing so. Uh.... no, we don't disagree and the teaching plan likely included the social conditions of the novel. As I posted earlier: "The study of Literature should or could encompass the following points: 1. The body of written works of a language, period, or culture. 2. ........" thus, "the society" is fair game. Reading NON-English Literature in English Lit is NOT fair game and, certainly, "And we discussed many other things in English Lit than just English Lit" is just hosed. Profs build many frameworks around lit interpretation, including psychological. Comparisons to current culture always rightfully intrude for context, even if the prof doesn't want it to. Human nature. As you said though, a syllabus prevents a free-for-all. When you get to Practical Criticism at the college level it all becomes a bit metaphysical, with definitions and constraints blurring. At least it did to me. The Intentional Fallacy demands erasure of the proscribed limits of interpretation. Anything goes. Always struck me that the concept should be called "The Fallacy of Intent" for clarity, but I didn't devise the term. Ever consider that the physical appearance of words on the page impact the brain? IOW, the shape of the word "brook," and its letters, not its sound rolling from the lips. Poetry is always touted as a voiced medium, but it is actually most often read by the eyes rather than heard by the ears. I could never sell a prof this concept, but I didn't try too hard. Going sideways here. I'm on your side with the KJ bible not belonging in Eng Lit, beautiful English much of it is. I did have it in World Lit. --Vic |
#3
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"Vic Smith" wrote in message
... On Fri, 09 Oct 2009 11:55:03 -0400, Gene wrote: On Fri, 09 Oct 2009 11:37:13 -0400, H the K wrote: On 10/9/09 11:28 AM, Gene wrote: On Fri, 9 Oct 2009 07:33:33 -0700 (PDT), wrote: And we discussed many other things in English Lit than just English Lit Well, then, what you had was some sort of Socratic Dialog or Seminar, not an organized class. A proper class has an approved syllabus and the instructor sticks with that syllabus to make sure the course objectives are met. A class entitled one thing in which all things are taught is just a free-for-all.... usually driven by the personal whims and interests of the teacher. This is the equivalent of education by ADD........ Uh, I disagree. In the 7th and 8th grade, when we were discussing Dickens in English class, we also discussed the society in which the novels were set, and some of the reasons why Dickens chose the subjects he did. I'm sure we stuck with the teaching plan by doing so. Uh.... no, we don't disagree and the teaching plan likely included the social conditions of the novel. As I posted earlier: "The study of Literature should or could encompass the following points: 1. The body of written works of a language, period, or culture. 2. ........" thus, "the society" is fair game. Reading NON-English Literature in English Lit is NOT fair game and, certainly, "And we discussed many other things in English Lit than just English Lit" is just hosed. Profs build many frameworks around lit interpretation, including psychological. Comparisons to current culture always rightfully intrude for context, even if the prof doesn't want it to. Human nature. As you said though, a syllabus prevents a free-for-all. When you get to Practical Criticism at the college level it all becomes a bit metaphysical, with definitions and constraints blurring. At least it did to me. The Intentional Fallacy demands erasure of the proscribed limits of interpretation. Anything goes. Always struck me that the concept should be called "The Fallacy of Intent" for clarity, but I didn't devise the term. Ever consider that the physical appearance of words on the page impact the brain? IOW, the shape of the word "brook," and its letters, not its sound rolling from the lips. Poetry is always touted as a voiced medium, but it is actually most often read by the eyes rather than heard by the ears. I could never sell a prof this concept, but I didn't try too hard. Going sideways here. I'm on your side with the KJ bible not belonging in Eng Lit, beautiful English much of it is. I did have it in World Lit. --Vic I think it would, technically fall under English lit, but it would probably be more appropriate to discuss it and its implications in a theology class. Perhaps a comparative lit class vs. an English lit class? -- Nom=de=Plume |
#4
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#5
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#6
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#8
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On 10/8/09 11:40 PM, Tom Francis - SWSports wrote:
On Thu, 08 Oct 2009 22:28:50 -0400, wrote: On Thu, 8 Oct 2009 21:25:11 -0400, Tosk wrote: In , says... On Thu, 8 Oct 2009 05:24:40 -0700 (PDT), wrote: If an English lit teacher was passing out assignments assignments for students to give a book report. Various books are chosen, some long , some short. OK, the list has several *options* None are specifically required. Here's a sample list: "To Kill a Mockingbird" "All Quiet one the Western Front" "Gulliver's Travels" "Moby Dick" "The book of Matthew" "Oliver Twist" "The Trial" As long as the teacher understands the report might not be positive and that the reporter may point out incongruities in the story line and historic inaccuracies, where is the problem? The problem is that I am sure that "the teacher" wouldn't allow such criticism of the other works... But I know, it's Christianity so it's ok to just trash it and forget the content.... pffffttt... I wrote a lot of cynical book reports. At least they knew I read the book and perhaps even tried to understand what they were trying to tell me in a real world context. My problem with English Lit is that I never saw what others saw - meaning that I never "grokked" it in the same way. I will admit I was confused by that until I figured out why. Everybody else was using Cliff Notes. :) My favorite story about Eng. Lit. was when we had to read some Maya Angelou - couple of pieces over the weekend for Monday morning discussion. I had been at odds with the professor more than once, but we had a relatively cordial relationship. That Monday morning, the first thing he asked was "Mr. Francis - care to tell us what you thought?" To which I replied "if she's a poet, I'm the King of Siam." You could have heard a pin drop in that room. :) Oddly, I got out of that class with an A - apparently the professor liked contrarian opinions. :) If you are an expert in 90% of what you claim to be here, I'm the son of Albert Einstein. -- Birther-Deather-Tenther-Teabagger: Idiots All |
#9
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#10
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On Thu, 08 Oct 2009 23:39:07 -0600, Vic Smith
wrote: Guess many students were just picking up hours and had no real interest. As far as English Lit goes, that was my approach. Common ground and herd instinct doesn't interest me. |
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