Home |
Search |
Today's Posts |
#8
![]()
posted to alt.sailing.asa
|
|||
|
|||
![]() "Commodore Joe Redcloud" wrote in message ... On Thu, 12 Jan 2006 22:08:55 GMT, "Bob Crantz" wrote: Not only will sound not leak in, but sound will not leak out to disturb others. The ER-4's are indispensable tools for recording engineers especially when monitoring in a loud environment and particularly where it is essential to audition every detail of the recording They may be passable in a loud enviironment for someone like an audio engineeer doing sopund for a remote newscast in a war zone. I'll give you that much. For work in a recording studio, I doubt you'll ever see those things used. There isn't a studio in the world that would use those things for mixdown. They use JBL speakers for that. It's almost universal. Nobody in their right mind does mixdown using headphones. For that matter, when I was working on projects with Andrew Loog Oldham (Produced first 6 albums for the Rolling Stones) in the early 70's at Syncron Studios in Wallingford CT, the chief engineer used to take a copy of the mix on cassette and go out to his car to make sure the finished product would also be "right" on a car stereo. That engineer was Doc Cavalier, who invented DBX among other accomplishments. Commodore Joe Redcloud Krusty, They do work very well for suppressing outside noise and would be regarded in high noise environments. I don't think you'll see them too often in recording studios either. The recording engineers have their own preferences, the methods and equipment have their own legacies. Do you know a guy named John Puhl? Amen! |
Thread Tools | Search this Thread |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
The Best of All Worlds | ASA |