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#71
posted to rec.boats
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New Lincoln Navigator
On 4/2/2018 7:44 PM, Alex wrote:
wrote: On Sat, 31 Mar 2018 17:54:49 -0400, Keyser Soze wrote: You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! They are getting a 3 ton truck up to 60 in 6 seconds with a 213 Cu/In engine. In the 80s that would have taken a high performance 350 or 400. It would have been a 427 in the 60s. Engines have come a long way. My SUV has 269 ci (4.4L) and will run 0-60 in 4.7 seconds with twin turbos.Â* It's just under 5100 lbs.Â* Amazing power for a heavy vehicle. I think we'll probably see more and more turbos as stock items and engines will continue to get smaller in displacement. They have become very reliable and a turbo with modest boost yields a lot of HP for cheap money while increasing MPG overall. Nice thing about a turbo is that if you don't "get on it" all the time, you really aren't stressing the engine much. |
#73
posted to rec.boats
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New Lincoln Navigator
Keyser Soze wrote:
On 4/2/18 2:31 PM, Mr. Luddite wrote: On 4/2/2018 2:23 PM, John H. wrote: On Mon, 2 Apr 2018 13:45:36 -0400, Keyser Soze wrote: On 4/2/18 1:33 PM, Mr. Luddite wrote: On 4/2/2018 1:20 PM, wrote: On Sun, 1 Apr 2018 13:28:25 -0400, "Mr. Luddite" wrote: On 4/1/2018 9:59 AM, Keyser Soze wrote: On 4/1/18 12:51 AM, wrote: On Sat, 31 Mar 2018 17:54:49 -0400, Keyser Soze wrote: You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! They are getting a 3 ton truck up to 60 in 6 seconds with a 213 Cu/In engine. In the 80s that would have taken a high performance 350 or 400. It would have been a 427 in the 60s. Engines have come a long way. Apparently so, but somehow it reminds me of the guys who used to tell me that those little Bose speakers put out the same quality of sound as theater-sized klipschorns or wharfedales or other large, horn-loaded speakers, or that "surround sound" is "more real" than what you hear at an acoustically correct concert hall with proper miking. I never believed that...taste, after all, is subjective. I have a CD of Mischa Maisky playing Bach cello suites I play frequently, and I've seen him perform in a small concert hall. I used to lug a copy of that CD around to audio stores when I was thinking of getting different speakers. The CD sounded like **** to me on new technology small speakers...the cello sounded like a viola, which is tuned an octave higher. Your ears and yourÂ* expectation of what "good" music reproduction sounds like is very subjective.Â* Your brain is an excellent equalizer so if you listen to music often on poorly performing speakers it can start to sound ok.Â* Your brain replaces what is missing.Â*Â* You just can't do an instant "A", "B" test because you'll immediately notice the difference. Surround sound sucks usually because people over-do the rear "reflectance" sounds in terms of amplitude.Â* Set up properly you shouldn't even notice that there are read or side speakers at all. Surround is really for movies anyway where it is specifically recorded to use the side and rear speakers as origin points, like a helicopter circling over your head or something. I agree. I don't really notice the surround on our 5.1 systems until we play a movie that uses all of it. I suppose they could record music in 5.1 but there is not a lot of it around. Some music and even symphony orchestras are recorded in surround but the intent of trying to create a true hall effect is hard to do plus most people set the surround levels too high in order to "hear" them. Doing so destroys the subtle reflection of sound that was intended. Six channel "Super CD" recordings are very high in dynamic range and fidelity because the recording technique is totally different than regular CD'sÂ* but again, the extra channels don't always add to the authenticity of the performance in a large venue or hall. We're going to see The Barber of Seville at the KenCen later this month, featuring, among others, the Moldavan baritone, Andrey Zhilikhovsky. Hopefully, no one will mess with the sound and make it sound like someone's multi-channel surround stereo.Â* The baritone is rising rapidly among the great singers... https://www.youtube.com/watch?v=IWyqaomjpdE ...especially since the sad and untimely death from brain cancer of Dmitri Hvorostovsky. Yeah, that was a real shame. I guess that appeals to many people (which I can understand) but I am not high brow enough to appreciate it much. The Barber of Seville and Mozart's The Marriage of Figaro were the musical theater of their times, and those comic operas and others had great appeal to the masses, even those with no formal education. The same was true of Gilbert & Sullivan's operettas. Incidently, both the Rossini work and Mozart's were based on works by the same playwright and the main protagonists are as a result named Figaro. You might like these version of Figaro's Barber of Seville aria...with a translation. My taste for enjoying opera is limited. I like a lot of the comic operas for their great music and really silly plots. Many of the "tragic" operas put me to sleep. Most of the operas and operettas were the soap operas of the time. Nothing highbrow about a big bunch of them. Especially Gilbert and Sullivan. |
#74
posted to rec.boats
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New Lincoln Navigator
On 4/2/2018 10:52 PM, wrote:
On Mon, 2 Apr 2018 19:52:03 -0400, "Mr. Luddite" wrote: On 4/2/2018 7:39 PM, Alex wrote: wrote: On Sat, 31 Mar 2018 20:50:46 -0400, Alex wrote: Keyser Soze wrote: On 3/31/18 5:46 PM, Mr. Luddite wrote: On 3/31/2018 1:52 PM, Keyser Soze wrote: wrote: On Sat, 31 Mar 2018 09:50:35 -0400, Keyser Soze wrote: On 3/31/18 9:05 AM, Mr. Luddite wrote: Just been reading the various reviews on the 2018 Lincoln Navigator. Ford pulled out all the stops and has blown the competition including theÂ* Cadillac Escalade and Infiniti QX80Â* away with this one. 3.5L twin turbo, 450hp, over 500 lb ft of torque, 10 speed transmission, Â*Â* 6 adaptive performance settings, premier seating for all and an interior fit and finish that is superior to any of it's competition. Quite a price tag though.Â* Starts at $76K.Â* $96K typical. Mrs.E. loves Navigators.Â* She has had three of them in the past. Gotta keep her away from this one. Heheh...what does that barge weigh, three tons?, and with a 3.5 liter engine, the same size as in my little truck and a Toyota with V6? With twin turbos? Not an engine that is going to last long, pushing an aircraft carrier. It does 0-60 in a little over 6 seconds. That doesn't seem to be underpowered. I doubt Mrs E will keep it long enough to wear out the engine. I wasn’t questioning the horsepower output, but the wisdom of powering a three ton car with a small engine. I don't know enough about cars to comment intelligently however I don't think today's engines suffer from the "worn out" issues of those of the past.Â* Geared properly (10 speed transmission) I don't think the Navigator V6 is working much harder than the V6 in my Canyon that has an eight speed transmission or the V6 in your Tacoma.Â* The twin turbo makes it more complex for sure but modern turbos have a decent reputation for longevity. Lots of cars and trucks have them. In the old days the main reason an engine "wore out" (except for a catastrophic failure) was due to worn rings, cylinders and valves. Their condition was manifested by burning oil, leaving blue clouds of smoke and running rough with a cylinder or two missing due to lack of compression.Â* You don't see that much anymore due to advances in material sciences and hard coatings on the cylinder walls, rings and valves.Â* Lots of cars and trucks are used daily now-a-days with 150K to 200K miles on them and they don't burn any oil. You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! Indy cars have 2.2L engines pushing 600+ HP. === Are they turbo charged or supercharged? --- This email has been checked for viruses by AVG. http://www.avg.com "The current, fourth-generation *IndyCar* formula was presented in 2012. The *engines* are now 2.2-liter twin turbo V-6's putting out estimated 550–750 hp depending on the level of boost used. They are limited to 12,000 rpm. *Engines* are currently supplied by Chevrolet and Honda." I knew someone in Florida who had a Porsche 911 turbo that he installed a variable boost control on it. Crazy fast but I'll bet it wouldn't last long if he kept the boost setting too high, too often. Some of the boys down in Everglades are running nitrous systems on their air boats. If they "hit the button" a lot it does scrub expected hours off the engine but it will pop them off a hump they get stuck on. With the price of nitrous, it is a pretty expensive hobby. That stuff was 3 or 4 bucks a pound 20 years ago. (with an account.) My wife's uncle (used to teach diesel mechanics in a Jr. College) has a early 70's Monte Carlo that he has been "building up" over several years. 350 ci small block puts out 560 HP as tested on the dynamometer running gas. But, he also installed a nitrous oxide tank in the trunk with lines, remotely actuated valves and a switch in the car. He took me for a ride in the thing which was impressive just running on gas and then hit the nitro switch. Holy Crap! |
#75
posted to rec.boats
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New Lincoln Navigator
On Mon, 2 Apr 2018 19:49:19 -0400, "Mr. Luddite" wrote:
On 4/2/2018 7:31 PM, Keyser Soze wrote: On 4/2/18 2:31 PM, Mr. Luddite wrote: On 4/2/2018 2:23 PM, John H. wrote: On Mon, 2 Apr 2018 13:45:36 -0400, Keyser Soze wrote: On 4/2/18 1:33 PM, Mr. Luddite wrote: On 4/2/2018 1:20 PM, wrote: On Sun, 1 Apr 2018 13:28:25 -0400, "Mr. Luddite" wrote: On 4/1/2018 9:59 AM, Keyser Soze wrote: On 4/1/18 12:51 AM, wrote: On Sat, 31 Mar 2018 17:54:49 -0400, Keyser Soze wrote: You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! They are getting a 3 ton truck up to 60 in 6 seconds with a 213 Cu/In engine. In the 80s that would have taken a high performance 350 or 400. It would have been a 427 in the 60s. Engines have come a long way. Apparently so, but somehow it reminds me of the guys who used to tell me that those little Bose speakers put out the same quality of sound as theater-sized klipschorns or wharfedales or other large, horn-loaded speakers, or that "surround sound" is "more real" than what you hear at an acoustically correct concert hall with proper miking. I never believed that...taste, after all, is subjective. I have a CD of Mischa Maisky playing Bach cello suites I play frequently, and I've seen him perform in a small concert hall. I used to lug a copy of that CD around to audio stores when I was thinking of getting different speakers. The CD sounded like **** to me on new technology small speakers...the cello sounded like a viola, which is tuned an octave higher. Your ears and your* expectation of what "good" music reproduction sounds like is very subjective.* Your brain is an excellent equalizer so if you listen to music often on poorly performing speakers it can start to sound ok.* Your brain replaces what is missing.** You just can't do an instant "A", "B" test because you'll immediately notice the difference. Surround sound sucks usually because people over-do the rear "reflectance" sounds in terms of amplitude.* Set up properly you shouldn't even notice that there are read or side speakers at all. Surround is really for movies anyway where it is specifically recorded to use the side and rear speakers as origin points, like a helicopter circling over your head or something. I agree. I don't really notice the surround on our 5.1 systems until we play a movie that uses all of it. I suppose they could record music in 5.1 but there is not a lot of it around. Some music and even symphony orchestras are recorded in surround but the intent of trying to create a true hall effect is hard to do plus most people set the surround levels too high in order to "hear" them. Doing so destroys the subtle reflection of sound that was intended. Six channel "Super CD" recordings are very high in dynamic range and fidelity because the recording technique is totally different than regular CD's* but again, the extra channels don't always add to the authenticity of the performance in a large venue or hall. We're going to see The Barber of Seville at the KenCen later this month, featuring, among others, the Moldavan baritone, Andrey Zhilikhovsky. Hopefully, no one will mess with the sound and make it sound like someone's multi-channel surround stereo.* The baritone is rising rapidly among the great singers... https://www.youtube.com/watch?v=IWyqaomjpdE ...especially since the sad and untimely death from brain cancer of Dmitri Hvorostovsky. Yeah, that was a real shame. I guess that appeals to many people (which I can understand) but I am not high brow enough to appreciate it much. The Barber of Seville and Mozart's The Marriage of Figaro were the musical theater of their times, and those comic operas and others had great appeal to the masses, even those with no formal education. The same was true of Gilbert & Sullivan's operettas. Incidently, both the Rossini work and Mozart's were based on works by the same playwright and the main protagonists are as a result named Figaro. You might like these version of Figaro's Barber of Seville aria...with a translation. My taste for enjoying opera is limited. I like a lot of the comic operas for their great music and really silly plots. Many of the "tragic" operas put me to sleep.* Well, enjoy your evening. I just don't have any appreciation for opera in general but I certainly don't fault those who do. If there's a story being told I'd rather just read it. The most "high brow" I get is a few visit to Symphony Hall in Boston once in a great while and to be honest, I am more awed by the unbelievable acoustics there. Blows me away. We both (meaning Mrs.E. and I) enjoy the Boston Pops and try to see them every year or so. It's usually a fun take and we are friends with someone who performs with the Pops. My mom was a huge fan of the Boston Pops. We boys grew up listening to their records. Never been there, but they provided a lot of enjoyment. Of course, this was back when Arthur Fiedler was conducting. Probably way, way too low-brow for Harry. |
#76
posted to rec.boats
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New Lincoln Navigator
On 4/3/2018 7:56 AM, John H. wrote:
On Mon, 2 Apr 2018 19:49:19 -0400, "Mr. Luddite" wrote: On 4/2/2018 7:31 PM, Keyser Soze wrote: On 4/2/18 2:31 PM, Mr. Luddite wrote: On 4/2/2018 2:23 PM, John H. wrote: On Mon, 2 Apr 2018 13:45:36 -0400, Keyser Soze wrote: On 4/2/18 1:33 PM, Mr. Luddite wrote: On 4/2/2018 1:20 PM, wrote: On Sun, 1 Apr 2018 13:28:25 -0400, "Mr. Luddite" wrote: On 4/1/2018 9:59 AM, Keyser Soze wrote: On 4/1/18 12:51 AM, wrote: On Sat, 31 Mar 2018 17:54:49 -0400, Keyser Soze wrote: You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! They are getting a 3 ton truck up to 60 in 6 seconds with a 213 Cu/In engine. In the 80s that would have taken a high performance 350 or 400. It would have been a 427 in the 60s. Engines have come a long way. Apparently so, but somehow it reminds me of the guys who used to tell me that those little Bose speakers put out the same quality of sound as theater-sized klipschorns or wharfedales or other large, horn-loaded speakers, or that "surround sound" is "more real" than what you hear at an acoustically correct concert hall with proper miking. I never believed that...taste, after all, is subjective. I have a CD of Mischa Maisky playing Bach cello suites I play frequently, and I've seen him perform in a small concert hall. I used to lug a copy of that CD around to audio stores when I was thinking of getting different speakers. The CD sounded like **** to me on new technology small speakers...the cello sounded like a viola, which is tuned an octave higher. Your ears and yourÂ* expectation of what "good" music reproduction sounds like is very subjective.Â* Your brain is an excellent equalizer so if you listen to music often on poorly performing speakers it can start to sound ok.Â* Your brain replaces what is missing.Â*Â* You just can't do an instant "A", "B" test because you'll immediately notice the difference. Surround sound sucks usually because people over-do the rear "reflectance" sounds in terms of amplitude.Â* Set up properly you shouldn't even notice that there are read or side speakers at all. Surround is really for movies anyway where it is specifically recorded to use the side and rear speakers as origin points, like a helicopter circling over your head or something. I agree. I don't really notice the surround on our 5.1 systems until we play a movie that uses all of it. I suppose they could record music in 5.1 but there is not a lot of it around. Some music and even symphony orchestras are recorded in surround but the intent of trying to create a true hall effect is hard to do plus most people set the surround levels too high in order to "hear" them. Doing so destroys the subtle reflection of sound that was intended. Six channel "Super CD" recordings are very high in dynamic range and fidelity because the recording technique is totally different than regular CD'sÂ* but again, the extra channels don't always add to the authenticity of the performance in a large venue or hall. We're going to see The Barber of Seville at the KenCen later this month, featuring, among others, the Moldavan baritone, Andrey Zhilikhovsky. Hopefully, no one will mess with the sound and make it sound like someone's multi-channel surround stereo.Â* The baritone is rising rapidly among the great singers... https://www.youtube.com/watch?v=IWyqaomjpdE ...especially since the sad and untimely death from brain cancer of Dmitri Hvorostovsky. Yeah, that was a real shame. I guess that appeals to many people (which I can understand) but I am not high brow enough to appreciate it much. The Barber of Seville and Mozart's The Marriage of Figaro were the musical theater of their times, and those comic operas and others had great appeal to the masses, even those with no formal education. The same was true of Gilbert & Sullivan's operettas. Incidently, both the Rossini work and Mozart's were based on works by the same playwright and the main protagonists are as a result named Figaro. You might like these version of Figaro's Barber of Seville aria...with a translation. My taste for enjoying opera is limited. I like a lot of the comic operas for their great music and really silly plots. Many of the "tragic" operas put me to sleep.Â* Well, enjoy your evening. I just don't have any appreciation for opera in general but I certainly don't fault those who do. If there's a story being told I'd rather just read it. The most "high brow" I get is a few visit to Symphony Hall in Boston once in a great while and to be honest, I am more awed by the unbelievable acoustics there. Blows me away. We both (meaning Mrs.E. and I) enjoy the Boston Pops and try to see them every year or so. It's usually a fun take and we are friends with someone who performs with the Pops. My mom was a huge fan of the Boston Pops. We boys grew up listening to their records. Never been there, but they provided a lot of enjoyment. Of course, this was back when Arthur Fiedler was conducting. Probably way, way too low-brow for Harry. We have a friend, Amanda Carr, who we met when I had the guitar shop. She is also a realtor and handled the sale of our house two years ago. She performed a couple of times at the shop in concerts I arranged. She also performs occasionally with the both the Boston Pops and the full Boston Symphony Orchestra. Through her we also met the guy and became friends with who plays guitar for both the Pops and the full orchestra. He came to our house and played for over an hour at one of the open houses when we had the house on the market. We get together once and a while when she's not busy entertaining. I arranged for her to perform at an elderly day care facility that I drove for for a year. She's the salt of the earth, has nothing bad to say about anyone and will do anything she can to help people. Here's a video of her with the Pops on New Year's eve in 2017 and another with a few members of the Pops at a less formal performance singing "Somewhere Over the Rainbow". https://www.youtube.com/watch?v=jeDxUE6iVUw https://www.youtube.com/watch?v=aCjZw5wnW24 |
#77
posted to rec.boats
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New Lincoln Navigator
Mr. Luddite wrote:
On 4/2/2018 10:52 PM, wrote: On Mon, 2 Apr 2018 19:52:03 -0400, "Mr. Luddite" wrote: On 4/2/2018 7:39 PM, Alex wrote: wrote: On Sat, 31 Mar 2018 20:50:46 -0400, Alex wrote: Keyser Soze wrote: On 3/31/18 5:46 PM, Mr. Luddite wrote: On 3/31/2018 1:52 PM, Keyser Soze wrote: wrote: On Sat, 31 Mar 2018 09:50:35 -0400, Keyser Soze wrote: On 3/31/18 9:05 AM, Mr. Luddite wrote: Just been reading the various reviews on the 2018 Lincoln Navigator. Ford pulled out all the stops and has blown the competition including theÂ* Cadillac Escalade and Infiniti QX80Â* away with this one. 3.5L twin turbo, 450hp, over 500 lb ft of torque, 10 speed transmission, Â*Â* 6 adaptive performance settings, premier seating for all and an interior fit and finish that is superior to any of it's competition. Quite a price tag though.Â* Starts at $76K.Â* $96K typical. Mrs.E. loves Navigators.Â* She has had three of them in the past. Gotta keep her away from this one. Heheh...what does that barge weigh, three tons?, and with a 3.5 liter engine, the same size as in my little truck and a Toyota with V6? With twin turbos? Not an engine that is going to last long, pushing an aircraft carrier. It does 0-60 in a little over 6 seconds. That doesn't seem to be underpowered. I doubt Mrs E will keep it long enough to wear out the engine. I wasn’t questioning the horsepower output, but the wisdom of powering a three ton car with a small engine. I don't know enough about cars to comment intelligently however I don't think today's engines suffer from the "worn out" issues of those of the past.Â* Geared properly (10 speed transmission) I don't think the Navigator V6 is working much harder than the V6 in my Canyon that has an eight speed transmission or the V6 in your Tacoma.Â* The twin turbo makes it more complex for sure but modern turbos have a decent reputation for longevity. Lots of cars and trucks have them. In the old days the main reason an engine "wore out" (except for a catastrophic failure) was due to worn rings, cylinders and valves. Their condition was manifested by burning oil, leaving blue clouds of smoke and running rough with a cylinder or two missing due to lack of compression.Â* You don't see that much anymore due to advances in material sciences and hard coatings on the cylinder walls, rings and valves.Â* Lots of cars and trucks are used daily now-a-days with 150K to 200K miles on them and they don't burn any oil. You probably are right. Pretty soon we'll be seeing one liter engines zipping "funny cars" down the dragstrip! Indy cars have 2.2L engines pushing 600+ HP. === Are they turbo charged or supercharged? --- This email has been checked for viruses by AVG. http://www.avg.com "The current, fourth-generation *IndyCar* formula was presented in 2012. The *engines* are now 2.2-liter twin turbo V-6's putting out estimated 550–750 hp depending on the level of boost used. They are limited to 12,000 rpm. *Engines* are currently supplied by Chevrolet and Honda." I knew someone in Florida who had a Porsche 911 turbo that he installed a variable boost control on it. Crazy fast but I'll bet it wouldn't last long if he kept the boost setting too high, too often. Some of the boys down in Everglades are running nitrous systems on their air boats. If they "hit the button" a lot it does scrub expected hours off the engine but it will pop them off a hump they get stuck on. With the price of nitrous, it is a pretty expensive hobby. That stuff was 3 or 4 bucks a pound 20 years ago. (with an account.) My wife's uncle (used to teach diesel mechanics in a Jr. College) has a early 70's Monte Carlo that he has been "building up" over several years. 350 ci small block puts out 560 HP as tested on the dynamometer running gas. But, he also installed a nitrous oxide tank in the trunk with lines, remotely actuated valves and a switch in the car. He took me for a ride in the thing which was impressive just running on gas and then hit the nitro switch. Holy Crap! Oh, that’s nothing. I had a ‘49 Jeep station wagon when I was 17 that once got up to 41 mph going down Fountain Street from under the Parkway bridge at the Woodbridge line to the light at the bottom of that long steep hill. Fortunately the light was green because the brakes on that big double shoebox sucked, too. it had a four cylinder engine of about 60 hp. Or less. Lots of air drag. -- Posted with my iPhone 8+. |
#78
posted to rec.boats
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New Lincoln Navigator
On Tue, 3 Apr 2018 07:26:51 -0400, "Mr. Luddite"
wrote: Some of the boys down in Everglades are running nitrous systems on their air boats. If they "hit the button" a lot it does scrub expected hours off the engine but it will pop them off a hump they get stuck on. With the price of nitrous, it is a pretty expensive hobby. That stuff was 3 or 4 bucks a pound 20 years ago. (with an account.) My wife's uncle (used to teach diesel mechanics in a Jr. College) has a early 70's Monte Carlo that he has been "building up" over several years. 350 ci small block puts out 560 HP as tested on the dynamometer running gas. But, he also installed a nitrous oxide tank in the trunk with lines, remotely actuated valves and a switch in the car. He took me for a ride in the thing which was impressive just running on gas and then hit the nitro switch. Holy Crap! The physics of nitrous is pretty interesting. First it is injected as a liquid so it has a significant cooling effect on the air coming in and concentrates that charge. They are also introducing more fuel so the charge starts off very rich as it goes over TDC and you have a smoky fire going on in there. When the temperature gets up around 500f (something like that) the nitrous comes apart releasing pure O2 into that smoky fire, right in the power stroke where you want a big bang. Some proponents even say this is not really that bad for the engine but they don't seem to last as long. It may be because those guys are really beating the hell out of them anyway. |
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