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On Fri, 25 Nov 2005 15:57:02 -0400, Terry Spragg
wrote: Cool! Write a certified cheque for 1 dollar and send it to whomever you think should get the royalties. If they cash it, or not, you can produce it in court as a demonstration of your good intentions. It's a lot more than a legitimate owner might expect to get using a publishing company. A co-op might pool the proffered funds, with the intention of seeking an attourney to disburse the funds. CAPO might help. We'd need an administrator. Copyclub.com should do. That should assuage your concience, and Judge Judy. Trade away! Publisher's agent's lawyers chase commercial printing press bootleggers, not guys like you. Your last point seems to be that it's alright as long as you don't get caught? OK. I don't think I'll respond to that. It doesn't seem to be a profitable avenue for discussion and I expect you didn't really mean it that way. This is mostly intellectual interest on my part -- I don't really care what the OP does and I'm in no position to act holier than thou. I've doubtless done worse things. But I've at various times been a musician, a photographer, a writer, and a programmer of commercial software. As such, I tend to identify with the problems of the copyright owner more than the average guy does. It's a little bit different when it's *your* copyright being abused. I will point out that there are hundreds of file traders being sued here in the US as we speak by the studios. Sending a dollar to some random individual affects your legal standing not one whit. When and how a copyrighted work is released is at the sole discretion of the copyright holder. "Good intent" and the state of one's conscience is entirely irrelevant. In other words, Judge Judy would send you to the guillotine. But you're probably right that the OP will get away with it. I hope so, anyway. Right now, the punishment does not fit the crime, IMHO. Your co-op idea is interesting. It would only satisfy the legal issues to the extent that studios, publishers, etc. decided to participate. According to copyright law as laid down in the constitution and reinforced by piles of legislation and international treaties like the Berne convention, we don't get to dictate to artists how their license agreements work. But it's hard to see how it would be a bad thing for them. I'm aware of at least one co-op run by authors to license electronic versions of their out-of-print works at very reasonable rates. Seems like a good idea. Studios should look into that. They'd get to make a little bit of cash off their catalog without having to press dvds and distribute them. Right now the system is broken and being propped up by bad laws like the DMCA and bad technology like MacroVision or the Sony root kits that have been installed on some unknown number of PCs without the owners informed consent. Oh yeah, and lawsuits. Copyrights and patents are the basis of free enterprise innovation. There needs to be incentive (read rofit) to create and publishoriginal works, but it makes no sense that the OP should be in violation of federal and international law (enforced or not, enforceable or not). Wow, that turned into a rant. I've been thinking about this lately and it all just spewed out. Sorry about that. Obligatory cruising content: this discussion also applies to copyrighted charts. More Obligatory cruising content: under the DMCA, the shape of a boats hull is now considered copyrighted material. __________________________________________________ __________ Glen "Wiley" Wilson usenet1 SPAMNIX at world wide wiley dot com To reply, lose the capitals and do the obvious. Take a look at cpRepeater, my NMEA data integrator, repeater, and logger at http://www.worldwidewiley.com/ |
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